About Carol Galvis

Carol Galvis brings over 15 years of experience in live sound mixing, radiofrequency coordination, and technical production management. A graduate of audio engineering from the Pontificia Universidad Javeriana in Bogotá, Colombia, Carol has become a key player in the entertainment industry. She is known for her technical expertise and creative approach to live events. She is now based in the United States and continues to expand her impact on the global stage. Carol has mixed sound for a variety of live bands and theatrical productions, using her musical background to deliver exceptional audio experiences. She has worked on acclaimed shows like Peter Pan, Sugar, and Tita, where her ability to collaborate with orchestras and vocalists seamlessly ensures a flawless auditory experience for audiences. Her attention to detail and passion for sound design make her an indispensable asset for any production. In addition to her work as a sound mixer, Carol specializes in radiofrequency (RF) coordination. She has led RF operations for major international events such as Rock in Rio, Primavera Sound, and Cosquín Rock, ensuring flawless wireless audio in even the most complex environments. Carol leads RFLatino, an organization of professionals dedicated to radiofrequency technology for audio in live events, where she continues to push the boundaries of RF technology. Her versatile skills also include expertise in lighting, video, and mapping, allowing her to manage full-scale technical productions for live events with precision and innovation.

Work experience

  • FOH MIXER
  • 15
  • FOH MIXER

Carol' Skills

Engineering
  • Audio Technician
  • Mix Engineer
  • Sound Designer
Live
  • Audio Tech
  • FOH Engineer
  • Monitor Engineer
  • Production Manager
Venue Type Experience
  • Amphitheatre
  • Arena
  • Club
  • Festival
  • Stadium
  • Theatre/PAC

Carol' Genres

  • No Genres Entered

Carol' Experience

Throughout my career, I’ve applied my skills in audio engineering and production management across various projects. As an FOH operator mixing live theater musicals, I developed a deep understanding of sound design, automation, and live mixing, ensuring high-quality audio experiences for audiences. Beyond mixing, I’ve worked extensively with RF coordination, managing wireless systems to ensure stable and interference-free operations in live productions. This has given me strong expertise in frequency management, signal troubleshooting, and optimizing RF performance in complex environments. Additionally, my experience in production management has allowed me to coordinate teams, handle logistics, and oversee technical operations to ensure seamless show execution. My goal is to transition fully into production management, where I can combine my expertise in audio, RF coordination, organization, and leadership to optimize creative and technical processes.